剧情介绍：
Contents:
Pools
16mm film, Color/Sound, 9 min. Made with Barbara Klutinis. (1980)
Shot with an underwater camera exploring the swimming pools of the Hearst Castle, California.
Pond and Waterfall
16mm film, Color/Silent, 15 min. (1981)
Underwater exploration of verdant pond growth pulling the viewer into actually being the creature actively exploring.
Stone Circles
16 mm film, Color/Sound, 7 min. (1982)
a celebration of ancient pre-patriarchal standing stones, mounds, and circles including Stonehenge and Avesbury.
Bent Time
16mm film, Color/Sound by Pauline Oliveros, 21 min. (1983)
influenced by scientists who have noted that light rays curve at the outer edges of the universe leading them to theorize that time also bends. A one-point perspective visual path across the US beginning inside a linear accelerator - or atom-smashing device - and traveling to such high-energy locations as the home of an ancient sun calendar in Chaco Canyon, New Mexico; the site of Ohio Valley Mound cultures; the Golden Gate and Brooklyn Bridges; and beyond. Inspired by this idea, I used an extreme wide angle lens of 9mm and “one frame of film per foot of physical space” to simulate the concept of time bending. The soundtrack is “Rattlesnake Mountain”, an original score by Pauline Oliveros.
Pools
16mm film, Color/Sound, 9 min. Made with Barbara Klutinis. (1980)
Shot with an underwater camera exploring the swimming pools of the Hearst Castle, California.
Pond and Waterfall
16mm film, Color/Silent, 15 min. (1981)
Underwater exploration of verdant pond growth pulling the viewer into actually being the creature actively exploring.
Stone Circles
16 mm film, Color/Sound, 7 min. (1982)
a celebration of ancient pre-patriarchal standing stones, mounds, and circles including Stonehenge and Avesbury.
Bent Time
16mm film, Color/Sound by Pauline Oliveros, 21 min. (1983)
influenced by scientists who have noted that light rays curve at the outer edges of the universe leading them to theorize that time also bends. A one-point perspective visual path across the US beginning inside a linear accelerator - or atom-smashing device - and traveling to such high-energy locations as the home of an ancient sun calendar in Chaco Canyon, New Mexico; the site of Ohio Valley Mound cultures; the Golden Gate and Brooklyn Bridges; and beyond. Inspired by this idea, I used an extreme wide angle lens of 9mm and “one frame of film per foot of physical space” to simulate the concept of time bending. The soundtrack is “Rattlesnake Mountain”, an original score by Pauline Oliveros.