剧情介绍：
Now considered popular enough for BBC1, Enfield's new show was in many ways a continuation of Harry Enfield's Television Programme and had the same comic-cuts style of presentation. Old favourites Wayne and Waynetta Slob, Tim Nice-But-Dim, Kevin (the teenager with tons of adolescent attitude, exasperating his parents, played by Stephen Moore and Louisa Rix), the Old Gits and Mr Chomondley-Warner were joined by new characters including the two Lovely Wobbly Randy Old Ladies (Enfield and Burke) with their mock-shock cries of 'Young man!' when they ceaselessly invented the notion that a male with whom they were conversing had said something risqué; and the Self-Righteous Brothers (Enfield as Frank Doberman, Whitehouse as George), two vociferous and intensely angry individuals who put the world to rights from their pub armchairs while discussing celebrities by their surnames only.
Other recurring characters included: Stan and Pam Herbert (Enfield and Burke), the boastful, wealthy Brummies ('I could not help but notice that we are considerably richer than yow'); Lee (Enfield) and Lance (Whitehouse), thick and even thicker cockney wide-boys; Mister Dead (Whitehouse) the talking corpse (a macabre spoof of the talking horse sitcom Mister Ed; the apologetic German (Enfield), a youth backpacker who irritatingly vents his guilt over the war and Germany's subsequent industrial triumph; Tory Boy (Enfield) an obnoxious, spotty pubescent who, in the style of John Major, spouted Tory rhetoric (in the 1997 Christmas special, reflecting the recent change of government, Tory Boy metamorphosed into Labour Boy, a Tony Blair impression); De Dutch Coppersh - Ronald (Enfield) and Stefan (Whitehouse), dope-smoking, laid-back Amsterdam policemen who are also lovers; Julio Geordio (Whitehouse), a South American footballer now playing for Newcastle, whose dialogue and dialect, as heard in interviews with TV commentator Tony (Harry Enfield in a John Motson impression), blended Spanish with accent-perfect Geordie colloquialisms; the Toddlers, Lulu (Burke) and Harry (Enfield), where baby Lulu suffered constant physical abuse at the hands of her presumably jealous - or just plain vicious - toddler brother; Steven (Enfield) and Jill (Julia St John), a constantly bickering couple whose arguments were laced with shocking insults and true venom, and who stayed together ostensibly For The Sake Of The Children; and the Camp Jockeys, a bizarre and hilarious feature in which jockeys indulged in gay banter during races. Additionally, Paul Whitehouse appeared as the curtain-twitching nosey neighbour Michael Paine, a fine impersonation of the young Michael Caine. (Like so many of the above characters, tailor-made for commercials and cameo appearances in other shows, Paine quickly seemed to take on a life of its own; he was used to introduce a BBC2 themed night dedicated to Michael Caine on 7 March 1998).
A new trend in Harry Enfield And Chums seemed to be towards introducing longer and m
Other recurring characters included: Stan and Pam Herbert (Enfield and Burke), the boastful, wealthy Brummies ('I could not help but notice that we are considerably richer than yow'); Lee (Enfield) and Lance (Whitehouse), thick and even thicker cockney wide-boys; Mister Dead (Whitehouse) the talking corpse (a macabre spoof of the talking horse sitcom Mister Ed; the apologetic German (Enfield), a youth backpacker who irritatingly vents his guilt over the war and Germany's subsequent industrial triumph; Tory Boy (Enfield) an obnoxious, spotty pubescent who, in the style of John Major, spouted Tory rhetoric (in the 1997 Christmas special, reflecting the recent change of government, Tory Boy metamorphosed into Labour Boy, a Tony Blair impression); De Dutch Coppersh - Ronald (Enfield) and Stefan (Whitehouse), dope-smoking, laid-back Amsterdam policemen who are also lovers; Julio Geordio (Whitehouse), a South American footballer now playing for Newcastle, whose dialogue and dialect, as heard in interviews with TV commentator Tony (Harry Enfield in a John Motson impression), blended Spanish with accent-perfect Geordie colloquialisms; the Toddlers, Lulu (Burke) and Harry (Enfield), where baby Lulu suffered constant physical abuse at the hands of her presumably jealous - or just plain vicious - toddler brother; Steven (Enfield) and Jill (Julia St John), a constantly bickering couple whose arguments were laced with shocking insults and true venom, and who stayed together ostensibly For The Sake Of The Children; and the Camp Jockeys, a bizarre and hilarious feature in which jockeys indulged in gay banter during races. Additionally, Paul Whitehouse appeared as the curtain-twitching nosey neighbour Michael Paine, a fine impersonation of the young Michael Caine. (Like so many of the above characters, tailor-made for commercials and cameo appearances in other shows, Paine quickly seemed to take on a life of its own; he was used to introduce a BBC2 themed night dedicated to Michael Caine on 7 March 1998).
A new trend in Harry Enfield And Chums seemed to be towards introducing longer and m